Wednesday, November 23, 2011

Canon EF 75-300mm f/4-5.6 III USM Telephoto Zoom Lens for Canon SLR Cameras

!±8±Canon EF 75-300mm f/4-5.6 III USM Telephoto Zoom Lens for Canon SLR Cameras

Brand : Canon
Rate :
Price : $179.00
Post Date : Nov 23, 2011 11:05:26
Usually ships in 24 hours



Camera Lens, Canon, Canon EF 75-300mm f/4-5.6 III USM Telephoto Zoom , 6472A002

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Friday, November 18, 2011

Step by Step Method on How a DSLR Camera Works

!±8± Step by Step Method on How a DSLR Camera Works

I just wrote this article for those people who are wondering how a DSLR camera works and why it is more superior to a typical digital camera (point-and-shoot camera.) In this article, I listed the things that made the DSLR unique. Here they are:

Lens

A picture captured using a DSLR camera begins on the lens. DSLR lens is a variety of sub-lenses known as elements. Each lens refines and centers light to produce a high quality photograph. Lenses on Digital SLRs may be replaced for several functions. Wide angle camera lenses may be used intended for scenery. Long telephoto camera lenses may be used for sports or wildlife photography. Zoom lenses that adjust their focal length among telephoto and wide-angle are really typical, and they are usually incorporated with the digital camera.

Viewfinder, Mirror and Prism

DSLR camera is special because of their pentaprism and mirror. A mirror at the rear of the lens echoes the light towards a 5-sided prism, in which its mirrored in the viewfinder. If the shutter is pushed, the mirror at the rear of the lens turns up in order to allow a straight course between the shutter and the light. The shutter opens up for the necessary period, and the light comes in towards the sensor. In DSLRs, what a digital photographer sees in the viewfinder is almost what is taken by the sensor.

Shutter and Aperture

In DSLR, the shutter is situated in between the flip-up mirror and sensor as well as the aperture is located in the camera lens. The aperture controls by contracting and expanding, the level of light passing to the lens. The shutter regulates the quantity of light dropping to the sensor through leaving it open for a certain quantity of time. The aperture and shutter operate with each other to let an accurate quantity of light to come to the sensor.

Sensor

The camera sensor is actually a matrix of small units which measure the strength and colour of the light able to come to the sensor by your shutter. These units are known as sensor sites, and they are made up of a little lens, analog to digital converter and a signal amplifier. The caliber of the ultimate picture is mainly one factor of sensor quality.

In-Camera Processing

As soon as the picture has been taken with the sensor and converted to digital, fundamental picture processing is performed inside the camera. This might consist of eliminating noise and grain normal while in the sensor, modifying levels to user preference, along with other basic things that do not call for the potential of your PC. More contemporary DSLRs have more impressive computers that enable more complicated in-camera developing such as changing a picture from colored to monochrome.

Memory Card

After picture developing, the graphic is saved over a memory card for future access through computers. Flash memory is utilized since it does not need capacity to save a picture. Typical memory cards are SD, XD and Compact Flash. After a picture is on the storage device, it could be read by every computer having a proper card reader. Many DSLRs make use of Compact Flash or SD card.


Step by Step Method on How a DSLR Camera Works

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Wednesday, November 9, 2011

Knowing Which Digital SLR Camera Lens is Right for You?

!±8± Knowing Which Digital SLR Camera Lens is Right for You?

When shopping for a Digital SLR Camera people often overlook or skimp on the camera's lenses. Camera Lenses serve as the digital SLR cameras "eye," the lens determines what and how your camera will see your subject and how well that view is transmitted to the camera's sensor chip for recording. The way I like to look at camera lenses is as painter's brushes, broad strokes, medium stokes, all purpose brushes, and small detail brushes. There is a lot to learn about digital slr camera lenses and this article will serve as a basic outline to understanding them. The following sections explain the basic types of digital SLR camera lenses, how they work, and how to select them.


Focal Length

On a digital SLR camera the focal length of the lenses measures the distance between the lens and the image sensor, measured in millimeters. Lenses can be classified into subgroups like prime, macro, wide angle, normal, telephoto, and zoom lenses. They are also rated in regards to f-stop or speed an example would be a F2.0 50mm lens or a 1.4F 80mm lens. We will explain this later in this article.

Prime Lenses:

Prime lenses are fixed focal length lenses like a 50mm 1.4f lens. To zoom with these types of lenses you need to use your feet and to get closer or farther away from the subject. Traditionally prime lenses are sharper and faster then zoom lenses. If you are on a budget you can pick up some amazing used older prime lenses off eBay or your local camera store.

Macro Lenses:

Macro Lenses are your detail brushes they enable you to get up close and personal with your subject. These types of lenses are used for extreme close ups on small objects like daisies, pennies, and food but not limited to these types of subjects. Examples of macro lenses are 50mm and 100mm macros. These lenses are also great for selective focus types of photos.

Wide-angle Lenses:

Wide-angle lenses are your broad stroke brushes; these types of lenses have short focal lengths. The short focal length has the visual effect of "pushing" the subject away from you and making it appear smaller. The beauty of wide-angle lenses is you can be relatively close to your subject and fit a broad stroke of the background into the scene.

One problem with wide-angle lenses is known as convergence, a distortion that makes vertical structures appear to lean toward the center of the frame. A way to check if the wide-angle lenses you are interested in has convergence is to take test pictures before buying the lens. With high quality wide angles lenses like Canon L series lenses address this convergence issue well. Examples of wide-angle lenses are 15MM, 17mm, 24mm and 28mm lenses.

Normal Lenses:

Normal Lenses try to mimic how the human eye sees and are some of the most versatile lenses you can use. These are my all purpose brushes, and are somewhere between a wide angle and a telephoto lenses. If you buy just one lens try and buy the fastest normal lenses you can like a 50mm 1.4f lenses. Some examples of normal lenses are 35mm; 50mm, 65mm and some consider a 80mm a normal lens.

Telephoto Lenses:

Lenses with long focal lengths 100mm and higher are called telephoto lenses. A long focal length seems to bring the subject closer to you and increases the subject's size in the frame. Telephoto lenses also give your subjects a graphic look and flatten out your subject. These lenses are my short stroke brushes.

Zoom Lenses:

Zoom lenses are special because they can be very versatile. These types of lenses vary in their focal lengths and come in many in wide-angle, telephoto, and wide-angle to telephoto. In my bag I carry a 17mm to 35mm my wide-angle broad brush, 24mm to 70mm my medium brush, and a 80mm to 200mm my short brush. With these three lenses I get a very board range of focal lengths for any situation. All of my zooms are at least f2.8 through out the lenses range, which means my f-stop can stay constant while I am zooming in and out. These types of lenses are very expensive but so get what you pay for. When shopping for a zoom lenses check out the f-stop range rating. An example is a 24mm to 300mm f3.5-f5.6 lenses meaning the lowest f-stop you can shoot is at the 24mm range of the lenses and when you zoom to 200mm the lowest you can go is f5.6. Zoom lenses can give you flexibility and versatility all in one lenses. When buying a zoom lens try and get one that is made of glass and is the fastest you can afford, you will not regret it.

Understanding what these different groups of lenses can do will help you make more informed decisions on what lenses to purchase and what to put in your camera bag.


Knowing Which Digital SLR Camera Lens is Right for You?

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Saturday, September 17, 2011

New CANON EF-S 55¨C250mm F/4-5.6 IS Image Stabilizer Telephoto Zoom Lens Gear-Driven Focus Adjustment

!±8±New CANON EF-S 55¨C250mm F/4-5.6 IS Image Stabilizer Telephoto Zoom Lens Gear-Driven Focus Adjustment

Brand : Canon
Rate :
Price : $351.70
Post Date : Sep 17, 2011 21:07:14
Usually ships in 1-2 business days



Exceptional customer service and unparalleled product expertise.

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Wednesday, August 31, 2011

Phoenix P09560 Telephoto Zoom Lens 100-300mm F:5.6-6.7 Canon EOS

!±8±Phoenix P09560 Telephoto Zoom Lens 100-300mm F:5.6-6.7 Canon EOS

Brand : Phoenix
Rate :
Price :
Post Date : Aug 31, 2011 09:25:17
Usually ships in 1-2 business days



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Saturday, August 27, 2011

Canon 100-400mm Lens - Telephoto lens for professional photographers

!±8± Canon 100-400mm Lens - Telephoto lens for professional photographers

Have you ever jealous? I think that, especially when it comes to my camera gear. I'm drooling for a 100-400mm Canon lens at the time. Tomorrow, who knows. But one thing is certain, there will be something.

But I must admit that the 100-400mm Canon lens was on my black list for a while '. I have some good targets, however. In fact, I have a Canon 70-200mm f4, which is probably my best lens.

Some of the reasons the Canon 100-400mm lens on top of the list of my nextAcquisition:

1 The zoom range is perfect for my needs. Taking lots of pictures of birds, and now I have creative ways of thinking in more detail. Zoom to 400mm would be much better than I currently have 200 mm. Additionally, if this lens on a camera with a sensor picked up as a rebel or 7D, you get 1.6 times the marked focal length (680 mm). This is really great.

2 There is a series lens L. This is the best quality Canon lens group. You can get better picture quality, better design,and other people watch and admire your devices (see story below).

3 Nature photography requires a lens like this. If you can not afford the fixed focal length to 400 or 500mm, this lens is the second best choice. I have already mentioned, the images of birds, but most people do not have to approach and say. "Cheese" We really need a goal can be achieved. So if you're trekking through the wilds of Alaska, or just walk through the local neighborhood, a telephoto lensto this length is exactly what you need.

So here's the story of my recent experience is with "envy lens."

I was driving the right time in the morning the sun work to be perfect especially for a shot, I'd consider. There is a horse farm and stable, that right at the corner where I turn. There were some beautiful horse chestnut tree in the field of grazing on a hill slope with a small barn in the foreground.

It 'was precisely the shot I had dreamed. So Ihas the road shortly after the corner. I have my Canon digital SLR camera from the bag and attacked my 70-200mm on it. I crossed the street and take my position near the fence. I took a couple of shots and score more. I checked to see the rear monitor, as the shots were the result.

Everything was good except I was getting a little 'too far from the hills around the shots that I really wanted. As soon as I could collect on my computer.

For thisAt one point I felt something on my left and glanced around to see another guy doing exactly what I did. He had a Canon and I could see the gray and family size of a 100-400mm Canon lenses. I'm sure I turned green with envy.

We got to talking and he said, when she was under the blows him the courage to stop the same thing. We talked a few minutes, and after leaving I gave the name to see a site where I found the images he had shot,Horses.

Needless to say, I was so jealous when I saw her. I look forward to a field with a 100-400mm Canon lens for Christmas or my birthday or August 12 opening (it does not matter - and not a day). Hoping that my wife just will display a message when you are reading.


Canon 100-400mm Lens - Telephoto lens for professional photographers

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Wednesday, August 17, 2011

CANON 6473A003 EF75-300 TELEPHOTO ZOOM LENS

!±8± CANON 6473A003 EF75-300 TELEPHOTO ZOOM LENS

Brand : Canon | Rate : | Price : $228.60
Post Date : Aug 17, 2011 07:56:04 | Usually ships in 1-2 business days


CANON 6473A003 EF75-300 TELEPHOTO ZOOM LENS
COMPATIBLE WITH CANON EOS CAMERAS

More Specification..!!

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Thursday, August 11, 2011

Vivitar Series 1 - Telephoto zoom lens - 650 mm - 1300 mm - f/8.0-16.0

!±8± Vivitar Series 1 - Telephoto zoom lens - 650 mm - 1300 mm - f/8.0-16.0


Rate : | Price : | Post Date : Aug 12, 2011 00:15:07
Usually ships in 1-2 business days


This package includes all of the following items:

1. Vivitar 650-1300mm Telephoto Zoom Lens for Canon

2. Vivitar Series 1 Carrying Case

3. UV Filter

4. CPL Filter

5. 72" Monopod

6. T-Mount Adapter

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Sunday, August 7, 2011

Objectives - Introduction to different types of lenses to magnify Pancake

!±8± Objectives - Introduction to different types of lenses to magnify Pancake

One of the best features mirror-less cameras is they feature interchangeable lenses. Under normal compact cameras, the camera lens, and although it may offer various zoom levels, its benefits are limited. In a mirror-less cameras, you can remove the lens and replace it with another one that best suits your needs on different occasions: they are detailed close-ups, panoramic views and super-zoom just some of many possibilities. If you already have lensesHe would like to use, there is some good news: With the right adapter, you can mount any new camera lens without a mirror. If there is a model for the adoption of micro standard 4:3 (like the Panasonic DMC-G1, for example), then you could still use any lens you already 4:03. There is a big plus! If you are not familiar with the world of photography and its jargon, please read below for the introduction of the lenses, which will always help you a feel for the most common terms andConcepts.

Focus

The first feature you should check is in a lens focal length. The following are the basics:

Focal lengths are in millimeters (mm) indicated Some lenses have a focal length, it comes to fixed focal length lenses or first. As the name suggests, the focal length of these goals' can not be set. They are usually found on cameras economic. Most of the lenses includes a range of focal lengths. These models are called zoom lenses. TheThe smaller the focal length number, the greater the angle of view captured by the lens. These objectives are therefore suitable for landscapes. The greater the number of focal length, the greater zoom, and therefore the smaller the part of the scene is captured by the lens. These lenses are suitable for telephoto (zoom) images. For example, the main objectives in the hands of the photographer's football pitches seen a very long focal length, so you take a picture of the distantProblem of how the players on the opposite side of the field.

Here are some examples of different focal lengths:

35 mm View a fixed (or first) with a moderate telephoto lens. 14-45mm A zoom lens with a range from wide-angle (14mm) to a moderate telephoto view (45mm). 50-150mm A zoom lens with a focus on paintings, a medium-high (and therefore unsuitable for wide-angle images)

Wireless cameras are generally mirror the so-called "lens kit" sold. This is a general purposeZoom purpose, and is suitable for receiving moderate wide angle and telephoto images. If you use the camera for recreational purposes, such as photos of your holidays, this set has everything you need. If you want, but for a safari, where you need to go far to photograph subjects, then it is worth investing in a telephoto lens with a focal length.

Maximum aperture

The lens aperture is a measure of how much the lens can be opened. The unit usedtake it to mean the expression "f-stop." The higher the value, the smaller the aperture (ie aperture of f/2.8 is wider than f/5.6). A lens with a wider aperture allows more light and leads to faster shutter speeds. It also performs better in low light conditions (for example in the evening or at night), so that the images are too dark with a small aperture would collect. All the goals, with few exceptions, can be set to the same narrow opening. However, not all are on the same setfar. Another important fact is that some targets have a single light intensity, while the other two. This type of lens is called the target variable light intensity. Variable maximum aperture zoom lenses can, and it is precisely because of its focal length. The greater the focal length, is the closest, the intensity of light. Take for example a lens with a focal length of 14-42mm f/3.5-5.6 and a maximum aperture of:

A 14 mm (wide angle) lens can be adjusted up to a maximumAperture of f/3.5 It is 42 mm (tele) Maximum aperture f/5.6

Pancake Lens

Mirror wireless cameras can also mount a special kind of lens is called the pancake lens. This term a little 'funny is the fact that these goals are very much things (like a pancake). The main advantage of a pancake lens is portability, so small that they can not also a lot of size and weight of the small volume of a mirror without cameras. The main disadvantage of this type of lenses is their lack of zoom.The pancake lenses are all primes, ie having a single focal length. If you get a close-up on an issue they just need a way to do it up close, there is no way to zoom. This can be a significant limitation, but it is a matter of choice between flexibility and portability.


Objectives - Introduction to different types of lenses to magnify Pancake

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Sunday, July 31, 2011

Opteka 650-2600mm High Definition Telephoto Zoom Lens for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i, T2i, T3 and T3i Digital SLR Cameras

!±8±Opteka 650-2600mm High Definition Telephoto Zoom Lens for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i, T2i, T3 and T3i Digital SLR Cameras

Brand : Opteka
Rate :
Price : $269.00
Post Date : Aug 01, 2011 00:00:30
Usually ships in 1-2 business days



The Opteka 650-1300mm high definition super telephoto zoom lens is perfect for the professional and amateur photographer alike. There is a built-in, rotating tripod mount for easily attaching to your tripod or monopod. It's an extremely powerful telephoto zoom lens with the versatility that you need. This lens is great for the wildlife or nature photographer who wants to be hidden while taking photos of the subject. Advances in ultra high-index / low-dispersion optical glasses, new barrel materials, and exotic anti-reflection coatings, along with the latest in computer-aided-design / computer-aided-manufacturing), are combined to produce lenses of unprecedented quality. Diamond-cut from crystal-clear, water-white optical glass, Opteka lenses are ground and polished to a precise precision.This product is designed for Canon EOS/ AF.For a complete compatibility list please refer to the original manufacturer's web site.

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Thursday, July 28, 2011

Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

!±8± Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

Brand : Canon | Rate : | Price : $169.00
Post Date : Jul 28, 2011 20:44:32 | Usually ships in 1-2 business days

This telephoto zoom lens is designed with Canon's Optical Image Stabilizer technology while retaining compactness and lightness, in response to demands of photographers. This high zoom ratio lens is equivalent to a focal length of 88-400mm in the 35mm format (when used on Canon EOS cameras compatible with EF-S lenses), and the image stabilizer effect equivalent to a shutter speed about 4 stops faster than the same size lens without Image Stabilizer. In other words, if the slowest shutter speed you could formerly hold a 250mm lens steadily was 1/250th of a second, with Canon's 4-stop stabilization correction, you could hand-hold at shutter speeds as slow as 1/15th of a second. It also uses a UD-glass lens element to correct chromatic aberration for excellent image quality throughout the zoom range. This new EF-S telephoto lens with great features delivers excellent performance at an affordable price for all photographers.

  • Focal Length & Maximum Aperture: 55-250mm F/4-5.6
  • 12 Elements In 10 Groups, Including One UD-glass Element
  • Focus Adjustment: DC Motor, Gear-driven(front Focusing Design)
  • Closest Focusing Distance: 3.6 Ft./1.1m

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